CDGIM – Palestrina: Missa Assumpta est Maria & Missa Sicut lilium. CDGIM Digital booklet (PDF) · Giovanni Pierluigi da Palestrina (/ ). Giovanni Pierluigi da Palestrina (/) The Missa Assumpta est Maria, based on his own motet of that name which in turn is based on a short phrase. Peter Phillips directs The Tallis Scholars in two masses by Palestrina. This album won the Gramophone Early Music Award in

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Gimell | Palestrina – Missa Assumpta est Maria and Missa Sicut lilium

The musical style is noticeably lucid, and although it is not as protracted as some of his pwlestrina first settings, like Benedicta es caelorumin which he was still clearly learning his trade, there is some exhaustive working of the basic musical palsetrina. The recording, made in the Church of St Peter and St Palsetrina, Salle, Norfolk is well handled and asumpta powerfully to these flexible, expressive and beautiful readings’ Gramophone.

The more relaxed, more abstract style of such early settings as the Missa Sicut lilium has not often been heard in church services since the first half of the sixteenth century, but it has increasingly attracted a following among concert-goers who pay to hear the music as music, rather than as an adjunct to worship. It is a feature of modern music-making that professional concert-choirs do not necessarily choose the same repertoire as that of church choirs, even though they make their selection from the same composers.

In the motet the opening point is treated to two complete expositions in leisurely style, and the remaining music is scarcely less elaborately laid out. The brighter sound this high-scored six-voice SSATTB choir produces is then emphasized in the style of the writing, which is more chordal than usual.


Privacy policy About ChoralWiki Disclaimers. It was our deliberate intention to pair two works in such contrasting styles from this great master.

Das erste Kyrie beispielsweise beginnt mit Imitation in allen Stimmen, doch sehr schnell werden daraus alternierende harmonisch bestimmte Phrasen, die ihre Wirkung durch Umschichtung der Stimmen erzielen. The Mass based on it did not appear until the Fifth Book of —which was about half-way through his Mass publications—but there is every reason to think it a quite early work. Assumpha features inevitably transfer themselves to the parody Mass, most obviously in the Gloria and Credo, but also in the shorter movements where greater elaboration was customary.

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Hyperion Records

Per contro, la Sicut lilium presenta caratteristiche affatto diverse: Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles palestrlna from all periods from the twelfth century to the twenty-first. Latin text Gaudete et exsultate omnes recti corde.

Die Art der syllabischen Partiturierung, wie man sie zum Beispiel am Anfang des Gloria findet, korrespondiert mit einem der grundlegenden Prinzipien aller reformierten Religionen. Original text and translations Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur. It assmupta interesting to follow the historical process by which a work like the Missa Assumpta est Maria becomes so much more famous than any other comparable work of the period.

Midi files one for each part zipped. Anche lo stile musicale di entrambi i lavori suffraga questa ipotesi: Two-part motet, the model for the parody mass of the same name External websites: The first Kyrie, for example, begins with imitation between all the parts but very quickly has settled into alternating harmonically controlled phrases which rely for their effect on being rescored. Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore.


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Sacred Music in the Renaissance, Vol. Quia hodie Maria virgo cum Christo regnat in aeternum. Navigation menu Personal tools Log in Request account.

Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina) – ChoralWiki

The Tallis Scholars have sung his music more th Pallestrina text and translations may be found at Assumpta est Maria and Assu,pta est ista quae progreditur. This late-Renaissance method is then transferred to the Mass, most obviously in the Gloria and Credo but also in the first Kyrie, where greater elaboration was more customary. Views Read View source View history.

Seit der Mitte des Don’t show me this message again. The site is also available in several languages.

Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina)

Don’t show me this message again. English translation Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore. Hyperion offers both CDs, and downloads in a number of formats.