FANTASIA PARA UN GENTILHOMBRE PDF

Description Villano y Ricercare2. Españoleta y Fanfare de la Caballería de Nápoles3. Danza de las hachas4. Canario Compose date: Duration.

Author: Majas Malagis
Country: Iran
Language: English (Spanish)
Genre: Technology
Published (Last): 8 April 2010
Pages: 60
PDF File Size: 4.98 Mb
ePub File Size: 9.16 Mb
ISBN: 386-9-25386-289-7
Downloads: 48181
Price: Free* [*Free Regsitration Required]
Uploader: Kazralabar

The first geentilhombre opens with the melodic Villano that passes back and forth between the solo guitarist and the orchestra repeatedly. Retrieved from ” https: Yepez imbues gentle humour, grace and skilfull asides with the orchestra, which returns in kind. Blind musicians Musical nationalism.

Concierto de Aranjuez for Guitar and Orchestra. The music also hints subtly at themes used in the subsequent movements. The seeds were planted in the early s when Deutsche Grammophon realised what amazing results could be achieved by recording on multichannel tapes, with either four or eight channels.

Fantasía para un gentilhombre – Wikipedia

Released onPTC The Philharmonia, under Garcia Navarro, give Yepez impeccable support. Most of the movements retain the names that Sanz originally gave them. Rodrigo pays homage to the music’s origins by imitating a bird call toward the end fantaaia the movement even though the Canary Islands were so named because of the wild dogs prevalent there canis and not because of birds canaries. This is the form of the other movements of the work. Views Read Edit View history.

  EL MAESTRO Y LAS MAGAS ALEJANDRO JODOROWSKY PDF

From Wikipedia, the free encyclopedia. Including the solo guitar, the concerto is scored for an orchestra consisting of a piccoloa flutean oboea bassoona trumpet in C, and strings. Flaws in the playback equipment meant that music connoisseurs were prevented from enjoying these recordings in paga way that artists, producers, engineers and other professionals intended, even though recording technology was gentihlombre way ahead of its time.

The third movement, Danza de las Hachas Dance of the Axeshas an energetic dance beat, largely supported by a crescendo from the orchestra. Use mdy dates from April This page was last edited on 6 Aprilat The concerto is Rodrigo’s second most popular work after the famous Concierto de Aranjuez.

It was such a big success that it is considered as one of fentilhombre most important works. Yet, due to a few restrictions, they never fully blossomed.

Finally, the fourth movement, Canario, brings in music that Sanz wrote in the style of a folk dance originating in the Canary Islands. Rodrigo expanded on Sanz’s themes to produce a work lasting more than 20 minutes.

The composer neatly combines Renaissance dances with Spanish and African-American folklore in gentklhombre 10 movements of the suite-like work.

Joaquín Rodrigo: Fantasia para un Gentilhombre – Classic FM

By using this site, you agree to the Terms of Use and Privacy Policy. Pizzicato One of the best ever recorded versions of the Aranjuez Concerto, with wonderfully nuanced performances of both the Fantasia para un gentilhombre and the Madrigal Concerto, all to be heard in the marvellous quadraphonic sound from the late Seventies. A lyrical movement is framed by two fast movements – in the first two the musical material is fully developed, whereas the structure of the Rondo finale is more static.

  HP 4331S PDF

Now – over a quarter of a century later fqntasia and thanks to the arrival of the multichannel Super Audio CD, there is finally a system available which permits this precious recording to be released in the quality it deserved back then. One of the best ever recorded versions of the Aranjuez Concerto, with wonderfully nuanced performances of both the Fantasia para un gentilhombre and the Madrigal Concerto, all to be heard in the marvellous quadraphonic sound from the late Seventies.

The second part of the gebtilhombre movement, called Ricercare, is a short piece contrasting with Villano and entirely based on a two-bar phrase, repeated in the form of a complex fugue or ricercare.