Flory, Pamela Jean, “Six chansons of Paul Hindemith: An Analysis in Relation to Performance” (). Un cygne.?vance sur l’ enu. Un cygne – Hindemith, Paul (Musica Database) (A swan is breasting the flow ; Un cygne avance sur l’eau). Hindemith, Paul ( – ) [Germany]. Choir Midi Learning Files for works by Paul Hindemith. Paul Hindemith. ( biography). Google Enter your search terms Un Cygne – The Swan. Tutti. Soprano.

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For example, the first chord is analyzable as the quartal triad B-E-A with a doubled Hindemigh on top ; the second chord the first chord of measure 1 is analyzable as B- E -A-D-G, a four-note chord that’s essentially quartal with an unstated E ; the third chord is analyzable as a four-note quartal chord G -C -F -B, and so on.

Fygne are they like, and how are they unlike, tertiary chords? Birth and death dates are unknown for her as of writing this.

You can practice along with the recording to hear how your part fits in with the other parts. What, if anything, do you think is a tonic note? Rainer Maria Rilke — Use this rubric for assignment grading.

La Birche The Doe: Practice singing the part that’s in your own vocal range.

Choir Midi Learning Files – Hindemith Six Chansons

This area will be used by the assessor to leave comments related to this criterion. Please obey the copyright laws of your country. This criterion is linked to a Learning Outcome Description of criterion. They may not be public domain elsewhere. Hence, the edition is public domain in its country of origin or a government publication. Hide score total for assessment results. Any major changes could affect their assessment results.


Reissued – New York: What, hindemoth anything, are the traditional scale-based, classical harmonic implications of these chord progressions?

En Hiver In Winter: For each chord, analyze its structure as a stack of fourths or fifthstaking into account the possibility that a note might be “missing” from the chord, a note which would complete its analysis as a stack of fourths or fifths. Edit rating Delete rating.

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6 Chansons (Hindemith, Paul)

Continue analyzing the chords in this way for the opening phrase and the ending phrase, writing each chord out as a stack of fourths or fifths on a separate hindemithh of staff paper except when you think a tertiary interpretation is more reasonable. Contents 1 Performances 1.

Can’t change a rubric once you’ve started using it.

Un Cygne A Swan: IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Javascript is required for this feature. Chansons ; Songs ; For mixed chorus ; Scores featuring mixed chorus ; For hiindemith chorus ; French language.

Analyze the opening phrase from the beginning till the downbeat of measure 5 and the closing phrase from the pickup of measure 18 till the endfocusing on the chord structures.

Hinde,ith your comments and for the class discussion you may want to consider the following questions. In retrospect, you can see that the second chord can also be analyzed as a three-note quartal passing chord A-D-G where the B is a pedal tone exists in the same voice in all three chords and the other three hinndemith move by step from the first chord to the third chord.


Puisque tout passe Since all is passing: Consider the C-naturals in the soprano to be ornamental non-chord neighbor tones not a very significant part of your harmonic analysis.

Page size is A few chords, especially at cadences, are tertiary triads, but most are not. Creative Commons Zero 1. You can find the score here: Duration 8 minutes whole work Composer Time Period Comp.

I’ll write free-form comments when assessing students Remove points from rubric Don’t post Outcomes results to Learning Mastery Gradebook Use this rubric for assignment grading Hide score total for assessment results Cancel Create Rubric. How do you justify that interpretation?

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As you listen to and study the whole piece, you might also want to think about how the composer controls the rhythm of the text setting and the use of recurring harmonic and rhythmic ideas to emphasize the formal structure of the poem. Such editions are also public domain in Canada because they fail hinddemith meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’.

Bring your analysis to class to hand it in, or submit it in the Canvas dropbox associated with this class. Associated Music Publishers,