Lachenmann – Kontrakadenz Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann · See the Sound (Hommage to Helmut Lachenmann). Helmut Lachenmann, the German composer born in Stuttgart in , .. The first work is, in my opinion, Lachenmann’s finest: Kontrakadenz. View credits, reviews, tracks and shop for the SmartPac CD release of Kontrakadenz / Klangschatten – Mein Saitenspiel / Fassade on Discogs.

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The composer calls it a secret march and indeed it has forward propulsion throughout most of its minute course. The strings in this case are 48 ,achenmann strings, plus three pianos employed in such a manner as to blur the barrier between percussion and string instruments.

The best classical music for New Year’s Eve. Such questions are often asked. According to the composer, this is music. Five essential works by Leonard Bernstein.

Lachenmann Kontrakadenz; Klangschatten; Fassade

Helmut Lachenmann, the German composer born in Stuttgart inhas been at the center of musical debates for nearly four decades and remains there, undaunted, today. An interview with filmmaker John Bridcut. Helmut Friedrich Lachenmann born 27 November is a German composer of contemporary classical music. We use cookies to improve your experience of our website. Instruments are lachwnmann, as usual, in extreme but surprisingly beautiful ways, and the text is delivered in a completely staccato, fragmented manner, perhaps off-putting to some, but not at all overused.

View the discussion thread. For these reasons, it is quite possible that average listeners will be disappointed when they hear his music.

For instance, his clarinet concerto Accantorev. Here Lachenmann is at his most lacehnmann, still making good lacyenmann of extended techniques, but here they are awash in kontrakaeenz almost surreal musical glow of dialogues and solos. ECM New Series Plucking introduces the nine plucked string instruments gradually, completing a grid governed by mathematical patterns.


A definite turning point in his career occurred away from the classroom, when he attended the summer courses at Darmstadt for the first time inwhere he found a mentor in the form of Luigi Nono, one of the few composers at that time of rampant serialism who openly embraced the past.

Ten of the best and worst novels about composers. Both pianos and strings are wont to play in groups and in changing intervals and roles; the pianos play throughout the piece, but it is not overtly clear that there are three pianists; one might think there are only two or possibly only oneso sparse is their material.

The title could mean so much: The text itself is by Leonardo da Vinci, spoken in German translation; even in English or Italian, though, it would be identifiable or recognizable only in spots. I know, picking two recordings is technically cheating, but the pieces are somewhat different and each interpretation merits a listen.

Lachenmann – Kontrakadenz by Helmut Lachenmann on Spotify

It is a strange moment of irony. Conductor and musicians are superb. Kontrakadenz; Klangschatten – mein Saitenspiel; Fassade. Recording of the Month. Lacbenmann I would suggest a col legno release which compiles earlier recordings by this label onto one budget-priced CD.

Search Search this site: Perhaps the piece acknowledges life — indeed perhaps unwittingly — within a situation where paralysis pervades music. From to he taught composition at the Musikhochschule Hannoverkohtrakadenz to the Musikhochschule Stuttgart.

By taking the essence of so-called classical music, i. Archived from the original on 19 December Most Popular Most Recent.


Klangschatten — mein Saitenspiel is a game of strings, as its title implies. Cookies perform functions like recognising you each time you visit and delivering advertising messages that are relevant to you. They are replete with new techniques and ideas, but are all vastly different in nature.

The first piece is scored for brass and strings, according to its subtitle, but in German, Blech means both brass and sheet metal. Franck Ollu and Ueli Wiget.

Views Read Edit View history. A sustained Hammond organ figure, commented kontraakdenz by the electric guitar and percussion, then leads to a crescendo tam-tam strike, after which roaring brass and strings enter the fray.

This radio recording was made soon after its premiere. Now a glimpse at two important recent chamber works by Lachenmann: As in Kontrakadenzthere is another element at work in this piece; instead of a radio, it is a tape which features mostly radio static, white noise and occasionally a sliver of a voice. Monthly Choices Roll over covers to find out more. He has also contributed booklet notes to the British label Metier and articles for German and Russian publications.

It is a lot of work for player and audience kontrrakadenz make it to the end. It is a finely balanced work of extremes. He achieves this musical bouleversement by asking his listeners and performers to suspend, or perhaps completely reject, their inherited beliefs about music, because they serve only to hinder and distort the listening experience.

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